| Description | I think it is necessary to reassess Hannah Hoech and Berlin Dada during the 1916-25 . Because the way in which this relationship has been described by both former Dadaist and art historians is unsatisfactory. Hoech is either totally ignored as a participant of Dada, or her contribution is seen as minimal and 'lightweight'. This paper intends to arrive at a more accurate assessment of her work and Berlin Dada by considering the diverse elements of her outputs during 1916-25. 1986 |